From  the book The Best of Attack! and National Vanguard, edited by Kevin Alfred Stromby

TUCKED AWAY ON pages 119 and 122 of the October 6 issue of Der Spiegel, a weekly German news magazine comparable to Time or Newsweek, was a news item of considerable significance: A scientific analysis of the manuscript purported to be the original diary of Anne Frank, a Jewish girl who died in a German concentration camp during the Second World War, has revealed that the manuscript could not have been written before 1951, six years after the end of the war.                                         The Federal Criminal Office (Bundeskriminalamt, similar to the FBI), which carried out a careful analysis of the original manuscript of the diary with microscope and ultraviolet illumination in order to confirm its authenticity — in particular, to determine when it was written.

The report of the technical experts was given to the court in April of this year, and it contained a bombshell: large portions of the alleged “diary” were written in ballpoint pen ink — which was not manufactured prior to 1951!            Almost from the beginning there were charges that the diary was a hoax.   In Germany, however, it was not wise to speculate about such matters publicly. The line laid down by the government and the media is that Anne Frank is gospel, and anyone who suggests otherwise leaves himself open to criminal charges (“defaming the victims of Nazi persecution”) as well as to civil suits.            The diary, filled with touching adolescent reveries and homely little anecdotes, was exactly what the Jewish “Holocaust” propagandists were looking for: a highly effective piece of ammunition to generate a maudlin, emotion-laden sympathy for the poor, persecuted Jews — as typified by Anne Frank — and generate hatred against the wicked Germans, who had “killed” her Anne Frank , died of typhus years before her crooked money-grubbing father made his fortune forging much of her diaries

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